Thursday, 18 April 2013


Contrary to popular belief, programming sound in environments/languages such as Supercollider is not just for boys and recent evidence shows how it can deal with both advanced sound synthesis techniques such as dynamic stochastic synthesis (Gendy - Génération Dynamique Stochastique - as conceived by Xenakis in 'Formalized Music') as well as broader cultural issues in particular the studies of gender and gendered repesentation in one fell swoop. 

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