In her text, "Sonic Cyberfeminism and its Discontents", Annie Goh takes gender inequalities in electronic music as her starting point to survey the hidden, and less-hidden prejudices which dominate the discourse surrounding it. With a historical look at cyberfeminism, as well as recent work on women in sound and electronic music, she examines the complexities of a debate situated between theory and practice within the festival theme of Dis Continuity .
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